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Spiderman-3

MAJOR SPOILER ALERT!!!

I loved Spiderman 3, contrary to popular opinion on the web, at sister pubs and elsewhere despite watching it only on the 2 nd day at 11pm! Okay, the leap from Spiderman-2 to 3 was not as good as the jump from Spiderman to Spiderman-2, but the important thing is, it was by no means the nose-dive we saw from Matrix-Reloaded to Matrix-Revolutions. Making a sequel is hard, making a three- quel or whatever it is called, is harder. Take the Lord of the Rings, a 3quel or trilogy, which did not maintain its standards throughout. In each part, there was some shortcoming or the other and Spiderman is no different.


The movie for us at the AMC Mercado 20 began with a human announcement that if we had not seen the first two parts of this trilogy, we were going to be "lost". We find that out in the opening moments of the movie and begin to wonder whether we could get "lost" even if we had seen the first two parts. The reason for this loss is not the romance, but what follows, a meteor crashing in and spreading some black " goo" on the earth that seems pretty focused on attaching itself to Peter Parker, a.k.a Spiderman. Oh? You did not know that, not only did you not watch Spidey, but never read the Marvel comic or watch the cartoon in India!


The first fight between the Green Goblin Jr and Spidey was underwhelming. It was not even a fight, but I guess it was by design. Goblin recovers his body but not his brains. He comes back as this naïve and innocent buddy of Peter and MJ. The latter by the way seems way too aged in comparison to Spidey or Goblin Jr. If there were a Spidey-4, she would be tipped to play Spidey's aunt or asked to shoot entirely in Maui where she looks younger. Emotions run high and dominate the movie for a large part of the 1st half. MJ is trying to make a name for herself and is overshadowed not only by Spidey's fame, but by Peter embracing it and not missing a single opportunity not to mention it. This part was cute since I could relate to myself doing that quite often even for petty achievements. Okay I think you get the point and I need not imitate Peter in this review!


The 2nd villain was by far the biggest threat to Spidey after Doc- Oc in the 2nd installment. A petty thief, who "accidentally" shot Peter's Uncle Ben in the opening edition of Spiderman which caused Peter a lot of grief and guilt throughout the series, comes into the picture. This was a well woven story through the 3 parts although it gets on our nerves to see so much screen time for old uncle and aunt. The villain story is also short and to the point. He has so much affection for the little girl that is not doing well that drives him to continue his fight to get her treated. He manages to dodge the cops only to land up as a guinea pig in a particle physics experiment that reduces or should it be elevates him to "Sand Man". He is someone who takes the form of a lethal super-human, but is nothing more than sand to anyone that attacks him.


Did I forget the "black goo" in the middle of these descriptions? I shouldn't. It makes a philosophical re-entry in the story theme as a metaphor to hate and consumes anyone who is filled with feelings of hatred or revenge, as Peter Parker is, when he discovers the identity of his Uncle's killer. He becomes an anti-hero wearing a black and white web costume. I loved this Spidey! It reminded me of how much I once loved Shahrukh Khan for his anti hero role in Baazigar. Toby has auditioned very well for his next big jig by showing very good diversity in this dual personality role. His negativity spreads beyond his dark costume on to the Parker character as well, as he is reminded by his aunt and MJ. The negative role was taken a little too far in the likes of a Bollywood movie towards the end of the jazz bar sequence when he hurts MJ not only emotionally by coming in with another girl to a bar where she's a waitress but also physically.


The comic timing was as good as in Spidey-2 and this time revolved mostly around the Peter Parker role. Here, Peter has an arch rival that tries to beat him to the job of taking Spiderman pics. He is ethically challenged in that he could morph pictures to please the boss and spread rumors on the Bugle. When Parker exposes his dirty tricks, he gets furious and his anger knows no bounds when he is not only out of a job, but Parker, to get back at MJ, who has challenges getting along with a darker Parker, resorts to his friend and foe, Goblin Jr. So, as soon as Parker gives up his negativity, there's a ready taker and he gets even more deadly by ganging up with Sand-man. Spidey can't take on the duo and needs help. This is shown realistically.


The special effects, cinematography and action sequences were all top class. Yes, you did not get a sense of shock and awe compared to the 2nd part of Spiderman. No, there is no but... coming up in defense. The proposal scene at the posh restaurant was very well handled and so was the lack of a proposal thereof. Two things were game-changing events that did it for this movie in my opinion. One was the timely rejuvination of a long time one sided friendship, it was a touch too timely to be real, but refreshing nonetheless. The 2nd was the "I forgive you" sequence. It is but natural and a touch philosophical and a good full stop unlike the oft repeated good defeats evil sequences.


A super-hero movie series like none other. If you have read this far, it is fair to assume you would have watched the movie or are never going to watch it. To the latter, I ask, h aving watched Spiderman and Spiderman-2 (safe assumption?, else I am not sure why you read this far), irrespective of the reviews, don't you want to get closure to the series? To those who watched, how did you guys feel about Spiderman-3? What could have been better? If you have a blog review, tell me about it!

Source: Mirror Post in Ram.

Wednesday, May 09, 2007 at 4:14 PM

PazhaiyaPettai: Movie Review for Pudupettai

The reason for the title is since this is not a new movie that needs a review, but just for the record for later reference. This movie was among the most talked about on the eve of its release, not just for its hit songs, or the fact that it was going to be Dhanush’s big break after a string of flops, but that it was going to fetch the national award for Sneha, a talented actress who was on the hunt for a big break. She was one of the few forthcoming front line artists who were willing and able to play the controversial role that the script offered. Ever since she conquered the spot left empty by the late Soundarya in Tollywood, Sneha has not been seen too much in the Tamil movie scene.

So anyway, the start of the movie, which I often refer to as the 5-10 minute pitch for watching the rest of the movie, was good. It kept you engaged and wanted you to carry on watching. I had forewarning that this was going to be a serious theme and I should not expect any comedy or usual chutney (tamil masala) in this one. I know a Selvaraghavan movie can get really intense and serious, so I had tissues by my side. Selva is a technically correct guy and does everything to ensure that you feel a part of the moment in his presentations. The first quarter of the movie makes you live with the protagonist, a kid with a troubled childhood, a brutal father and an unforgiving society. Like you can extrapolate from other movies or experiences, these kids do not end up anywhere good. They have an awful lot of energy, which is channeled into incorrect machines to drive far from ideal lives. Dhanush proves that he is no pushover in Kollywood with his outstanding performance and grows into challenging roles with ease.

Predictably, Kokki Kumar (Dhanush) ends up in a rowdy gang. Gangs usually source political goons and fight with other gangs. Gang members need drinks, drugs and girls as fuel to sustain their drive. In such an encounter, Kumar meets Krishnaveni (Sneha), who is a prostitute used by several gangsters, some of who get really violent. Sneha does a splendid job in fitting into this very unfamiliar role for a mainstream actress. Kareena who plays a similar role which requires much lesser intensity in Chameli, should learn from this Dubai bred South Indian star. Kumar takes pity on the plight of this girl and goes to the extent of killing the gang leader for her cause. This raises uproar in the gang ultimately leading to Kumar gaining strength within the group, much to the irritation of senior stalwarts. Goons may come and go, live and die, but the gangs must go on forever. Some succeed and perhaps too quickly for stalwarts who strive to bring them down before they can reach the skies.

Like in gangster movies, there is a strong emphasis on friendships formed within gangs. There is a surreal turn of events, when Kumar goes to attend his friend’s sister’s wedding, when he gets conquered by lust into tying the knot with the bride to be, much to everyone’s surprise. Sonia Aggarwal is horrible and has no variety at all. Even for such a small non-demanding role, she is not able to deliver. Selva thinks of her as a lucky charm and although she has delivered for him in the past, she has fallen from glory in recent times and it shows in this movie. Everything up to this point was so natural, this breaks that sequence and the movie does not recover from here.

Kumar has broken every law except one, that of polygamy, which he does not hesitate to break once he finds out that Krishnaveni is pregnant with his baby. His wife tolerates him only because she fears her brother’s life and even after this 2nd wedding, it seems incredible that she’s willing to take a shower together with her polygamist husband! Very few modern wives are that forgiving, even in Hollywood movies! Kumar gets betrayed, his pregnant 2nd wife gets sent to prison, then gets out and then beaten to death after the birth by anti-Kumar groups. Kumar is oblivious to the location of the child until the very end and his first wife divorces him and remarries, only to be separated again. Life goes on. The ending was very non-Kollywood and that was a saving grace.

Music Review (courtesy Rathish)

Songs in this movie have some of the best orchestrations ever in a Tamil movie album. 'Enga Area' employs synthesizers so brilliantly that it was better than most Western Pop songs. It also has amazing interludes and English rap bits. 'Pul Pesum Poo Pesum' song is THE best hip-hop song in Tamil to date.

at 4:12 PM

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